(Photo by © Julia Lynn)
More Feng Yi Ting news from Gramophone’s Olivia Giovetti:
“What’s engrossing was the music, laden with conflict and fraught with tension. Soprano Shen Tiemei and tenor Jiang Qihu sang in the traditional Peking and Sichuan operatic style. However, their stratospheric pitches and constricted tones clashed beautifully with a more typically Western score that blends a traditional orchestra with native instruments like the pipa and erhu. Deep rumbles arrive simultaneously knotted and untangled. Like Glass’s music, Feng Yi Ting (running until June 7 and stopping in New York at the Lincoln Center Festival, also under Redden’s directorship, in July) is characterised by an emotional neutrality that leaves the audiences to decide for themselves how they feel.”
 

(Photo by © Julia Lynn)

More Feng Yi Ting news from Gramophone’s Olivia Giovetti:

“What’s engrossing was the music, laden with conflict and fraught with tension. Soprano Shen Tiemei and tenor Jiang Qihu sang in the traditional Peking and Sichuan operatic style. However, their stratospheric pitches and constricted tones clashed beautifully with a more typically Western score that blends a traditional orchestra with native instruments like the pipa and erhu. Deep rumbles arrive simultaneously knotted and untangled. Like Glass’s music, Feng Yi Ting (running until June 7 and stopping in New York at the Lincoln Center Festival, also under Redden’s directorship, in July) is characterised by an emotional neutrality that leaves the audiences to decide for themselves how they feel.”