Today in The New York Times, Larry Rohter’s story on the late singer-songwriter Curtis Mayfield highlights the soul and R&B icon’s continued influence on musicians and their craft even today:
“The beauty of the vocal style is that the voice is tender and approachable, not aggressive or threatening, but at the same time the lyrics are powerful and politically charged,” said Aloe Blacc, a retro-soul singer who confesses to having studied Mayfield’s songwriting and singing in preparation for his own CDs. “It’s a very effective way to juxtapose content and texture. You’ve got a hooky, catchy pop sound, but by the time you absorb the lyrics and get to the chorus, you realize you have been baited and switched.”
Here But I’m Gone: A 70th Birthday Tribute To Curtis Mayfield takes place tonight in Avery Fisher Hall as part of Lincoln Center Festival.

![(Photo courtesy of the Curtis Mayfield estate)
The Impressions’ Fred Cash talked to Brad Farberman of The Village Voice recently about the first time that he met the late great pop, soul, funk and R&B music icon Curtis Mayfield:
“When I was living in Chattanooga, and they did their last show [with Butler], that’s when I met Curtis Mayfield. After Jerry had left. I just thought he was a genuine guy. He had so much talent, playing guitar and writing songs, you know? I just really, really admired him. And thought he was a great writer. And a producer as well. And a good friend.”
Here But I’m Gone: A 70th Birthday Tribute to Curtis Mayfield takes place tomorrow night in Avery Fisher Hall as part of this year’s Lincoln Center Festival.
(Read the rest of the Q&A between Farberman and Cash here.)](http://24.media.tumblr.com/tumblr_m7eyufchOc1qhwttfo1_500.jpg)




